Shenandoah Conservatory
Shenandoah University | Shenandoah Conservatory
Keyboard Audition
Information
Piano (MM)
l Submit prescreening materials using the Shenandoah Conservatory
online Audition Form no later than January 15, 2019.
Prescreening
l One piece from each of the following:
ü a Prelude and Fugue by Bach
ü a movement from a classical sonata by Mozart, Haydn, Beethoven or Schubert
ü a piece from the Romantic era
ü a work composed in the 20th or 21st centuries,
ü an Etude by Chopin, Liszt or Rachmaninoff
l NOTE: The prescreening video should not be longer than 30 minutes, and it must be from a steady camera showing the complete
body. No piece may be edited.
l Based on successful completion of the prescreening, the applicant
will be invited to register for an on-campus audition.
Piano (DMA)
l Submit prescreening materials using the Shenandoah Conservatory online Audition Form no later than January 15, 2019.
Prescreening
l One piece from each of the following:
ü A prelude and Fugue by Bach
ü A movement from a classical sonata by Mozart, Haydn, Beethoven or Schubert
ü A piece from the Romantic era
ü A work composed in the 20th or 21st centuries
ü An Etude by Chopin, Liszt or Rachmaninoff
l NOTE: The prescreening video should not be longer than 30 minutes, and it must be from a steady camera showing the complete body. No piece may be edited.
l Based on successful completion of the prescreening, the applicant will be invited to register for an on-campus
audition.
On-Campus Audition
l A 30-minute (minimum) recital, with formal program, to include stylistically and historically balanced content. The auditioning
committee will make a selection from the materials presented.
l A demonstration of technique or sight-reading may be required at the option of the committee.
l Memorization is required.
Collaborative Piano
(MM)
l Baccalaureate degree in music with a minimum GPA of 2.5
l Curriculum Vitae/Résumé
l Essay of 500-700 words addressing interest in the program and professional goals
l Applicants must present an audition recital, with formal program, of not less than 30 minutes in length and including a solo performance of 10 to 15 minutes — memorization preferred.
l The remainder of the recital should include chamber and art song repertoire. Complete chamber works (all movements) are required.
l The applicant is responsible for obtaining support performers and is responsible for the overall quality of the performance.
l A demonstration of sight-reading is required at all collaborative piano auditions.
Collaborative Piano
(DMA)
l A 30-minute recital, with formal program, to include stylistically and historically balanced content.
l A piano solo of 10 to 15 minutes with memorization preferred.
l The remainder of the recital includes both chamber and art song repertoire. Complete chamber works (all movements) are
required.
l Applicant is responsible for obtaining support performers and is responsible for the overall quality of the performance.
l Sight-reading is included.
Organ (MM)
l A 30-minute recital, with formal program, to includes music demonstrating familiarity with a variety of historical styles, including a major work by J. S. Bach. The audition committee may request selections from the program presented.
l Memorization is not required.
l A demonstration of technique or sight-reading may be required at the
option of the committee.
Organ (DMA)
l A 30-minute (minimum) recital, with formal program, to include music representative of these eras: Pre-Bach, J. S. Bach (larger-scale composition), 19th Century, and 20th/21st Century.
l The audition committee may request selections from the program presented.
l Memorization is not required.
l A demonstration of technique or sight-reading may be required by the
committee.
Updated on
05/06/2019